Glazing can be either glass or acrylic. art deco woman only glass should be used with any friable media such as unfixed pastels, charcoals, or graphite, never acrylic as it can damage the work by attracting these materials. there are many brands of acrylic glazing to choose from; one with an ultraviolet filter is recommended. the frame and the mat should be deep enough to prevent the artwork from touching the glazing. a stiff backboard behind the mat protects and supports deco the matted artwork. it is best to woman use non-acidic boards. a dust seal with paper or tape is also recommended. what damage results from using poor quality mat art board? avoid mat boards containing wood pulp which causes "matburn"--a darkening deco of the paper under the mat or at the bevel cut of the window mat. this type of stain permanently weakens the paper fibers and is not easily removed or lightened in conservation treatment.

on view throughout the museum are an especially varied range of objects, woman images, and room-sized art installations, including masterworks by some of the most influential artists of the past forty years, along with an impressive number of recently acquired works by emerging artists. open ends includes eleven distinct exhibitions deco and woman and ten large-scale works and installations that examine key themes and lines of affinity that define contemporary art and artists. the exhibition opens in three stages. architecture hot and cold presents a wide range of images of architecture principally drawn from the museum’s collections of photographs and architectural drawings. the exhibition includes art works by deco architects including woman archigram and rem koolhaas are art shown alongside the photography of andreas gursky and robert adams, for example, deco as well as works woman in different media by artists such as gordon matta-clark, andy warhol, and joel shapiro.